NEWS from the CBANW Newsletter for Autumn 2017
1. An eye-catching headline - Our Heritage At Risk - The need for a North West Depository - announced an imaginative plan to respond to possible losses of
valuable objects and documents resulting from closures of libraries and museums. As a recent survey showed several mills in the GM area are at risk, and as Heritage
Lottery money is available for projects which are looking to restore old buildings and monuments, CBANW plans to look at the feasibility of rescuing one of these mills by converting it into a depository for finds and documents. The Committee is keen to hear its members' thoughts on this possible project, especially from those who would be interested in being involved.
2. A full and detailed obituary of Alan Warhurst (1927-2016) can be found on the Museums Journal website for March 2017. Alan was the Director of the Manchester Museum from 1977 to retirement.
3. Dot Boughton, Finds Liaison Officer, reported on three reliquary locket pendants from the Mawdesley Area, Lancashire. They were donated to the British Museum’s collection of postmedieval reliquaries. The pendants are recorded on the PAS finds database (http://finds.org.uk/database) under: LANCUM-3C7B44 (2016 T1078), LANCUM-3C791A (2016 T1077) and (LANCUM-3C7098) 2016 T1076.
SOCIETY SECRETARIES: a suggested speaker
Lancaster Port Chief Executive Helen Loxam gave a very well-received talk to Garstang Historical Society on 8 November 2016. (GHS advertised the event in the LLHF Newsletter Issue 20.) Her subject was: The Evolution of the Lancaster Port Commission from its founding in 1750 to the present time. The Commission is at present based at Glasson Dock. The talk focuses on Lancaster and Glasson, and also on Plover Scar.
Readers of the LLHF Newsletter will recall Anthony Coppin's interesting reports on the work recently carried out on the Plover Scar lighthouse.
Lemn Sissay MBE announced as new Patron of Manchester Histories
The internationally-renowned Performance Poet, Writer and broadcaster, and Chancellor of the The University of Manchester, Lemn Sissay MBE has been revealed as the newest Patron of charity Manchester Histories at an event to announce the 2018 Manchester Histories Festival.
Unique amongst histories festivals in the UK for working in collaborative partnerships with organisations, communities, individuals; the Greater-Manchester wide biennial festival returns for its 5th instalment from 7-11 June 2018 with the theme protest, democracy and freedom of speech, and an all new Festival format.
Lemn Sissay joins Maxine Peake and Michael Wood as Patrons of Manchester Histories.
Chancellor of The University of Manchester, Lemn Sissay was appointed artist-in-residence at the Southbank Centre, he was the official poet of the 2012 London Olympics, has worked with the British Council, is a patron of the Letterbox Club, supporting children in care, and is a fellow of the Foundling Museum. Lemn performed a specially commissioned poem “Listening Post” at the National Commemoration of the Battle of the Somme on July 1st at Heaton Park, Manchester. In 2013 Sissay founded The Christmas Dinner for care leavers between the ages of 18-25 and with the mission that no care leaver should be alone on Christmas Day.
Born in England, of an Ethiopian mother, who wanted Lemn temporarily cared for while she completed her studies, he was though immediately fostered and remained with a family until he was 12, at which age he was placed in a children’s home. At 18 he was given his birth certificate (a legal requirement) and began ‘in that moment’ his search for ‘home’.
A journey traced on the programme Homecoming for BBC Radio 4 (first broadcast May 2015) which was recorded at the Ghion Hotel, in Addis Ababa, where he went to meet with social anthropologist academic Richard Pankhurst, the grandson of Sylvia Pankhurst. In 1956 Sylvia Pankhurst moved to Addis Ababa at Haile Selassie's invitation with her son, Richard. Sylvia Pankhurst had a deep affection for Ethiopia and and is buried there. It is in this programme he would conclude “I am proud that everything I know about myself happened in Manchester”.
When Sissay was 18 years old he moved from Atherton to the city of Manchester. At 19 he was a Literature Development Worker at Commonword, a community publishing cooperative in Manchester. One of Sissay’s poems is embedded into the stones of Tib Street in the city’s Northern Quarter.
Manchester Histories is a charity with the purpose of transforming lives through histories and heritage by working in collaborative partnerships with communities, individuals and organisations across Greater Manchester.
Manchester Histories Chief Executive, Karen Shannon said: We are honoured to have Lemn on board, supporting and advocating the work of Manchester Histories. Lemn has the magic of being able to tell stories, he brings to life, gives a voice to sometimes hidden or invisible stories, something that Manchester Histories is passionate about. This is priceless, and we can’t wait to start our journey with Lemn, working together to ensure that we continue to transform people’s lives through histories and heritage. Indeed, there is only one Lemn Sissay in the world!
At last nights event Manchester Histories also welcomed Manchester-based electronic music promoters, Annex Agency and Project 13 who presented DJ’s Acre and Afrodeutsche with a taster of work they will be producing for MHF2018, part of a whole day revealing Manchester’s many and some lesser known music histories. Poet, playwright and performer Louise Wallwein read from her first book GLUE, and called out for everyone to be part Soapbox, a project that will see Manchester Histories take over All Saints Park and give; a partnership between Manchester Histories and Manchester Metropolitan University.
DJ, author and creative consultant to Manchester Histories, Dave Haslam announced events to mark the 150th Anniversary of the formation of the TUC (Trades Union Congress) in Manchester and Salford in 1868 for Manchester Histories Festival 2018. Senior Curator at Manchester Art Gallery, Natasha Howes spoke about their major exhibition, The Crowd for Peterloo 2019. Artist Lauren Sagar whose new work The March of the Artists is inspired by the 1817 March of the Blanketeers - when around 5,000 Lancashire weavers set off from Manchester to London to petition the Prince Regent over the desperate economic hardship faced by the textile industry in Lancashire.
The Blanketeers formed part of a series of protests and calls for reform that culminated in the Peterloo massacre and the theatrical piece, The March of the Artists will form part of a whole Day of Debating for the 2018 Festival. Manchester Histories CEO, Karen Shannon announced The Manchester Celebration Day will this year move to the Sunday the new venue of Manchester Central Library. The festival will conclude with the opening night of Diamond by avant-garde cabaret performance artist, singer, actor, comedian and film director, David Hoyle at HOME. Diamond explores LGBT history spanning the 60-year period from 1957 to 2017 through the personal biography of Hoyle. Weaving together intimate personal accounts and landmark events, the show charts David’s rise from gay adolescent in Blackpool in the north of England, to famous Channel 4 anti-drag queen cult phenomena.
Submissions for everyone to part of Manchester Histories Festival, The Manchester Celebration Day, and Soapbox will go live at the end of November.
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